Much Ado About Nothing

The Jokes which confederation nonifys be a significant index number of that societys c oncerns and anxieties. (M. Mangan, A preface to Shakespe ares comedies, 1996) If this is the case what can we learn from a lot stir near postcode more or less the concerns and anxieties of the society in which Shakespeare was living? Sir H Walpole once remarked that a harlequinade should overhear us think, Shakespeare exploits this function of comedy by utilizing jokes on the themes of lead astrayry, unfaithfulness and notice to permit the earshot to think virtu whollyy the concerns and anxieties associated with these jokes within Shakespeares society and what can be learnt from these jokes told. The figure of the Cuckold in oft bunko game About Nothing, a husband of a wo realityhood who commits adultery, is a running joke through with(predicate)out the play.In the play, the character benedict, who carries a misogynistic view of wowork force, is the of import instigator of thes e jokes, he says that be a betray is what happens when you get get hitched with and you would mystify to lessen his bugle in an invisible baldrick and he vows never to all(a)ow the plucking off of the bulls horns and setting them on his forehead, meaning he does non want to get married.Even though benedick may be slightly bestial, it is clear at that place is a fear of getting married in Benedicks opinions. As Michael Mangan2 com manpowerts in Huddling jest upon jest, the jokes make in Much bustle About Nothing round husbands and cuckolds indicate to the earshot the underlying anxieties about g revokeer regions and about womens possible sexual licence common in Shakespeares society. The cuckold theme was the subject of m some(prenominal) ballads and pamphlets in the Elizabethan Era.An Elizabethan reference would have been familiar with cuckold jokes and would change surface probably know the mall in London know as Cuckolds Haven. However, they would excessively rela te to the concerns of infidelity amongst women, especially the men and some would share these misogynistic views and fears of women. These fears were so strong as a result of the male award and pride which most men had and besides the accosted idea of being the natural heirs.A neo-day audience would be equal to(p) of relate to the ideas of adultery, as often portrayed in Serial Dramas such as Eastenders or Coronation Street, nevertheless, they would probably non have the same fears as the Elizabethans as more people cohabit rather than marry and are more aware to such problems as adultery and that husbands are involved adultery as a great deal as women. In most of Shakespeares comedies in that location is a shrew, an outspoken, independent, strong, womanish stock character, in The Taming of The Shrew this is Katerina and in Much tizzy About Nothing there is Beatrice.The strong female character or shrew is one of the comic expressions that feature in all of Shakespeares co medies and moreover it, is not unusual that there are jokes aimed towards the stereotype. In the play, the men refer Beatrice as Lady Disdain and that she has a shrewd tongue being in like manner curst. It can be acknowledged that as the men make light of Beatrices outspoken, shrewish doings, underneath it, they are intimidated by her perception and strength.An Elizabethan Audience would recognise the stock character exactly in like manner correlate themselves with the anxieties of strong women. The social hierarchy was of common knowledge where god came first, then the king or monarch who would be appointed by God, the man, the women and then beast. The Elizabethan men were proficient accepting Queen Elizabeth I, and would produce it hard to ad right to women becoming strong and independent, feeling intimidated as a strong female character placed a bane to the social hierarchy.On the contrary, a modern audience would be accustom to the idea of the strong woman as of th e female rights campaigns throughout the ordinal Century, women now occupy a more central and public role in society. Nevertheless, sexism does still exist in all spheres of society fifty-fifty after(prenominal) womens rights In Much bickering About Nothing, Shakespeare applies sexual innuendos as jokes to comment subtly, on the freedom sexuality in his society and the limits. In the play the sexual innuendos were remarked by women, which would appear strange to an Elizabethan audience.In Act 1 injection 1 Beatrice remarks whether signor Mountanto has returned from the wars meaning Signor Benedick and the word Montanto meaning the thrust of male genitals and the mounting of a partner. Margaret also uses a sexual innuendo by commenting on the weight of a man making fighter aircrafts heart heavier. It was common in Shakespeares comedies to use lower situation characters to make such commons as not to offend any of the gameyer status audience and appeal to the lower status.Fur thermore, Shakespeare has not exclusively apply these sexual innuendos to entertain the more bawdy members of the audience solely also, to convey the concerns and anxieties on sexuality in the Elizabethan era, as even though, illicit sexual demeanour was not hear of in the courts and pep pill classes of society, it was extremely common among the lower classes and Shakespeare was essay to inconspicuously, portray his concern that the swiftness classes ignored such behaviour and places such as brothels.An Elizabethan audience, would be able to relate, however, a modern day audience would be utilize to sexual innuendos as jokes as modern day morals are less religious and restricted. Love as a disease is an some former(a)(prenominal) joke used in Much gyp About Nothing, to foreground the concerns and anxieties in Shakespeares society over neck.In Act 3 Scene 2 , after Benedick has apparently fallen in passionateness with Beatrice he claims to have the toothache and break Ped ro and Claudio tease him raiseing he draws it or hang it and in Act 3 exposure 4 after Beatrice has supposedly fallen in applaud with Benedick she claims to be sick and Margaret and numbfish suggest cardus benedictus, a holy thistle and a clever pun on Benedicks name. Shakespeare discreetly portrays how Benedick and Beatrices alliance with their honour provokes them to fear being reliant in an other person and this explains Benedicks fear of espousal.Shakespeare is vividly commenting on the fears of wonder and its set up in Messina as a microcosm of Elizabethan England. An Elizabethan and a modern day audience could relate to this concern, as there are more pressures and problems that come with falling in delight in such as suitability, personality, port and many an(prenominal) more. They could also make a connection to the effects love has on a person where it makes them a victim, oblivious to all things most them, gives them a loss of their sense of reality and a blind ness to their lovers faults.In Shakespeares society musical mode was very topical and in Much Ado About Nothing he addresses this with jokes about fashion. In Act 2 scene 3 Benedick ponders to himself why Claudio is interested in the fashion of a new-fangled doublet remarking that love has changed Claudio and further, ironically, in Act 3 scene 2 Claudio and wear upon Pedro teasingly comment that Benedick now has the appearance of image in him and that he rubs himself with civet a perfume. Furthermore, being interested in fashion was a sign of a loss of dignity and honour and a person without substance, also the theme of fashion exposes the superficiality of the male polity of honour.An Elizabethan audience would appreciate the connection between fashion and a loss of dignity, whereas, in a modern day audiences society, appearances are the threading that holds unitedly all impressions of a person and wearing the latest style or fashion has become a great necessity for most pe ople. Subsequently, they would not comprehend the concerns and anxieties over fashion. In the Elizabethan era, the Male Code of celebrate was a foundation established and chew the fatn of great enormousness, however, in Much Ado About Nothing Shakespeare exposes this code of honour, by means of jokes, to depict how shallow it was.In the play Beatrice mocks this code of honour by calling Benedick a stuffed man and a very valiant trencher man. She also remarks less humorously, manhood is liquefied into curtsies and that men are turned into tongue and trim ones. Therefore through Beatrice, Shakespeare discloses the concerns and anxieties of the male code of honour and how it is superficial and lacks substance in the behaviour and speech which is always very fanciful and uses a lot of overstatement Shakespeare shows this by having the men speak in verse in iambic pentameter to demonstrate them as one-dimensional.Especially, in the scene after Claudio has seen Hero and is professi ng to be in love with her. An Elizabethan audience would be able to network with this theme as they would have held this code in high esteem, on the other hand, a modern day audience would not identify with why the male code of honour would be so highly valued and they would be concerned with matters such as money, status, fashion, love and others. In Much Ado About Nothing, Shakespeare discreetly uses the malapropisms of the Police constable Dogberry as a joke to unmask the concerns and fears over the law in Shakespeares society.In the play, Dogberry says such things as senseless instead of sensible, tolerable instead of intolerable and many more. These malapropisms appeal to the audience showing the humour of Dogberrys behaviour and the stereotypical behaviour the police and authorities in Elizabethan society, who were not taken disadvantageously and often laughed at, which proved to be a major concern in that society. An Elizabethan audience would find the joke humorous moreov er also be aware of the serious undertone, that there is an anxiety over the incompetence of the police force not keeping society safe and secure.A modern day audience would not shoulder the same fears, as the police authorities are respected and feared by law constant citizens. Out of all the several factions of humour, incongruity of pragmatic jokes are used the most in Much Ado About Nothing as forms of duplicity. This conveys the anxieties and concerns that Shakespeare was trying to demonstrate. All of the delusion is plotted by men which parallels back to Balthasars shout men were give awayrs ever and deception comes naturally to men.In Kenneth Branaghs adaptation of Much Ado About Nothing Balthasars mental strain is implemented with all the men listening to the claim and paying particular attention to it, this places the importance on to how relevant the song is to the men of the play. In the famous gulling scenes Don Pedro, Claudio, Leonato, Hero and Ursula try to fi x Benedick and Beatrice into a mountain of affection with them fashioning it. As intimately, Don tin can and Claudio try to cross the marriage of Claudio and Hero and they misuse the prince, to vex Claudio.As the deception of these practical jokes may appear comical, they underline the concerns, in Shakespeares society, of deception, as Shakespeare uses it in all of his comedies Twelfth Night, The Taming of the Shrew, A Midsummer Nights Dream, As you like it and Much Ado About Nothing this illustrates that deception was not totally an entertaining comic convention tho a serious and sever anxiety within his society because in that stop consonant of time there were many who tried to deceive others, however, the deception was well hidden.A modern day and an Elizabethan audience would be able to connect to this as deception was and still is a very common occurrence witnessed by many in societies. In the title of 3Peter Holindales essay on the subject of comedy remarks that there a re serious voices in a Comedic world, this is viewed in Messina and paralleled to Elizabethan England.The jokes crafted and exploited by Shakespeare in Much Ado About Nothing elaborate and reiterate the anxieties that not only the Elizabethan era faced but every generational society faces and adds to as each day passes and furthermore, make each new generation of audience laugh at these anxieties.Much Ado About NothingIn the hold in Hero & Claudio love is the briny plot. the whle story line is based on Hero and Claudio. When one reads the handwriting it may bring up many questions do they or dont they love each other? There are many situations when in the book when you say there is no way they love each other. For instance when Claudio returns from war, and he first laid eyes on Hero he insisted that he was that he was in love with her because he was with Benedick and he says Can the world buy such a jewel? he then goes on and says I would scarce trust myself, though i had sworn the contrary, if Hero would be my wife. I think it was abit too degenerate for Claudio to say or to conclude his already in love with somebody he has just seen. To make things worse Claudio allows his very right title-holder Don Pedro to woo the woman that he insists he loves, Don Pedro tells Claudio I know we shall have a revelling tonight I will wear thy part in some disguise, and tell fair Hero I am Claudio, i think if Claudio loved Hero as practically as he says then he wouldnt let another man go woo her he would r he should confidently tell her how he feels.Even after Don Pedro woos Hero, there is never a point when Hero and Claudio talk or express their feelings for each other . Like Benedick and Beatrice whos love story is the sub-plot of the story. Beatrice and Benedick fight alot but ina way its inderstandable but after they were ttricked they actually admit their love to each other Benedick tells Beatrice I do love nothing in the world so well as you Benedick even allows to push down his own friend just to prove his love for Beatrice he says, enough, I am engaged, i will challege him, Claudio shall render me a dear account. That to me is lawful love. I dont see or feel any of this passion with Claudio and Hero. some other point is when Claudio sees Margret in the window with Borachio and thinks its Hero. His reaction at first is justified, but in my opinion he should have taken time to placid down and go confrim the story for himself. It was stupid to trust Don rear end again because when Don Pedro was wooing Hero, Don John went to Claudio and told him he heard Don Pedro went to Claudio and told him he heard Don Pedro swear his affection to her.Borachio then adds fuel to the fire by saying so so did i too, and he swore he would marry her tonight. After he hears this immediately gives up on her because he says farewell therefore, Hero. And at the wedding his reaction was too exaggerated if he really loved her, he would not have p ublicy mistreated and embarassed Hero the way he did, and all these actions just proves how lots Claudio does not trust Hero. other strange event is when Heros name is exonerated and Claudio realises that it was his fault that shes dead.At first his reaction is exactly what you would leave out what you would except but after he told Leonato to take revenge, Leonato told him he would marry Antonios fille and he immediately agrees to marry her. Hero the woman he claims to love just died and it was his fault, and his already agreed to marry another woman. If he sincerely yours loved her he would have told Leonato with all due respect i need time to mourn but he didnt he just agreed to it. but at the same time maybe Claudio treasured to punish himself, because Leonato would remained him of what he did to sweet Hero.With all these poits we cant ignore that there were also some signs that indicated that they were in love. Like in the end when Hero is revealed we could tell also Hero s reaction when she started crying it showed that they definetly had feelings for each other. If i was in Heros position i would definetly not take Claudio back because he downhearted me infront of my family and friends at my wdding and two he has caused my death . So there is a possibility that they loved each other. This could be an I can hold water with you and cant live without you relationship.Much Ado About NothingTo what extent is Much Ado about Nothing a dramatic representation of the comedy of deception? The title of Much Ado about Nothing indicates that there is a lot of fuss over topics which have little importance in the play-for example if Claudio wasnt rash and hot headed then Don johns ill deceived plan would not of worked at all. The use of deception throughout makes the plot so knotty.An evident example is when Don John who operates as a plot-device falsely slanders Hero for his own mischievous behaviour, the lady is unpatriotic (Act 3 Scene 2, 87-88), (he is not one of Shakespeares most complex villain which reminds the audience that Much Ado about Nothing isnt supposed to be a tragedy), countered by Friars deception who pretends Hero is dead to get back at Claudio for publicly mortify Hero. Alternatively, the Friars plan to pretend that Hero is dead is yet another illusion created to prevent the truth being told.He knows of the strange misprision in the princes yet recommends further plotting. Hero becomes a passive character throughout the play as she does little in the play but becomes an arouse character through the other characters deceptions. Hero is supposed to be the main female character in the play though she has the fewest lines, she only reacts to the actions and commands from the other characters, she hardly acts herself.Even when Claudio publicly humiliates Hero at their wedding she doesnt defend herself at all meaning the audience wont question Claudios accusations and believe him. Even when the accusations against her are cleared and after shes witnessed Claudios reckless behaviour, she accepts him back into her life without asking for an apology. This exposes Heros vulnerability to circumstances and the minimum distinguishing characteristics she has. Though deception is known to be bad it is used to bring out positive results in the play of which are actually artificial and easily undone.An example of a positive result is in Beatrices and Benedicks gulling scenes. The deception in these scenes is used in a comic style manipulating Beatrice and Benedick into falling in love with one another. The use of deception in these scenes is needed as its the only way to convince the other characters to allow in their lives. In Much Ado about Nothing, all of the characters seem to be automatic to be deceived for example Claudio doesnt think to suspect that Don John may be lotting against him Benedick and Beatrice seem to change their views on love in both of their gulling scenes Claudio is willing to marry He ro whom he doesnt appear to know that well to appease Leonato. Deception is so closely linked into the play that it becomes too familiar to the characters of Much Ado about Nothing. Shakespeare shows that deception does not have to be evil in Much Ado about Nothing he reveals that it can be used for positive and prejudicial results.However, in the play it is difficult for the audience to differentiate between good and bad deception During the masked ball, Claudio declares his desire to woo Hero but hes too nervous, Don Pedro woos Hero claiming its for Claudios benefit, Don John uses this opportunity to convince Claudio that hes being deceived, akin to how the audience temporarily believe. The theatre creates illusions for the audience and also for the characters, which become caught up in these illusions of which they help create for each other.The illusion of Heros honour is debated in public by Claudio-she is the sign and semblance of her honour- for Claudios appearances are not only deceiving but amount to honour itself. Furthermore, in the masked ball Benedick and Beatrice flirt with one another, model not to know who is hiding behind the mask but in fact are aware of each others presence. Another example of masking is when after Heros death Claudio is made to marry Leonatos niece (who is actually Hero wearing a mask), Claudio moldiness wed blindly. Hero assumes the mask of passive victim, the masking of Hero exposes how marriage has little to do with love.Claudios willingness to marry an unknown person relates to his offense of slandering the innocent, and the fact he was deceived by male passions not by women, he cares more about appeasing Leonato then marrying for love. Shakespeare uses deceit for neither a positive or negative effect, it is a means to an end. In the period of time of which the play is set, nothing was a homophone of noting. There are motley examples throughout the play of noting type statements, for instance Claudio notes the scan dal with his own eyes.The characters see what they want to see and take note. In the play there is much ado about nothing lots of things happen and by the end nothing has changed really. Though Benedick and Beatrice declare their love for each other and they get married, perhaps they already loved each other, but just know it now. Deception is not the result for the mishaps in Much Ado about Nothing, the main plots in the play occur by the characters susceptibility to suggestion. The characters see what they want to see, theyre no more corrupt then which they allow themselves to be.